Chinese wallpapers at the National Trust

The National Trust’s Treasure Hunt blog has been delving into the world of Chinese wallpapers recently and I thought I’d share a few of these wonderful photos with you.

Wallpaper in the State Bedroom at Penrhyn Castle (©NTPL/Andreas von Einsiedel)

Ornate, hand-painted wallpapers like these were the height of luxury during the 18th century and it’s amazing that some are still extant in their original homes.

Wallpapers in the study at Saltram (©NTPL/John Hammond)

Wallpaper in the Chinese Dressing Room at Saltram (©NTPL/John Hammond)

What really caught my eye were the pictures of the newly painted fascimile wallpapers at Avebury Manor.

Wallpaper in progress at Avebury Manor (©NTPL/James Dobson)

The design was applied to the walls by stencil and then details were painstakingly painted in by hand.

Detail of wallpaper in progress at Avebury Manor (©NTPL/James Dobson)

Hand-painting wallpaper at Avebury Manor (©NTPL/James Dobson)

The design may not strictly be historically accurate but I think the decision to feature flashes of local British flora and fauna (such as wild pansies, red admiral and peacock butterflies, great crested newts and foxes) on the wallpaper adds another neat layer of history onto this restoration project. After all, true Chinoiserie, like the original Chinese wallpapers, was always made for Western consumption and Western tastes.

You can read more about Chinoiserie and wallpaper on the Treasure Hunt blog.

Sixteen Albums From 2011

It might not have been as good a year musically as 2010, but there were plenty of records we loved over the last 12 months. Modesty prevents us from including My Fantoms, so here are the rest:

The Advisory Circle – As The Crow Flies (Ghost Box)
The High Llamas – Talahomi Way (Drag City)
J Mascis – Several Shades of Why (Sub Pop)
Battles – Gloss Drop (Warp)
Giorgio Tuma – In The Morning We’ll Meet (Elefant)
James Ferraro – Far Side Virtual (Hippos In Tanks)
Testbild! – Barrikad (Kalligrammofon)
Mountains – Air Museum (Thrill Jockey)
North Sea Radio Orchestra – I A Moon (The Household Mark)
Oneohtrix Point Never – Replica (Software)
Moon Wiring Club – Clutch It Like A Gonk (Gecophonic)
Jon Brooks – Music For Thomas Carnacki (Cafe Kaput)
Tim Hecker – Ravedeath, 1972 (Kranky)
Pye Corner Audio – Black Mill Tapes Vol.2 (PCA Transcription Service)
Euros Childs – Ends (National Elf)
The Leaf Library – Different Activities, Similar Diversions (Proper Songs)

What were your picks of the year?

Christmas treat: new video by Jade Boyd!

Merry Christmas everyone! As a special festive surprise, here’s a new video by the brilliant Jade Boyd for our song “Tracker Vale” (taken from our 2010 free download EP Places). We first hooked up with Jade via Brighton’s The Outer Church, when she made some amazing visuals to accompany our gig there last year. In between working at the Unsound festival, the Southbank’s Sound Of Fear event and all sorts of other exciting projects, she’s fine-tuned some of the visuals that she made for us into a beautiful and haunting clip that we’re absolutely delighted with. Hope you enjoy it and have a wyrd and magickal holiday season…

A Very Modular Christmas From Ebenezer Moog

Here’s a Christmas treat: both sides of a 1974 novelty single I picked up in a charity shop, from the aptly-named Ebenezer Moog. Released on Atlantic, the A-side is a jolly modular synth sound overload that gives Belbury Poly a run for his money, while Silent Night on the B is impressively sinister…

Ebenezer Moog – A – God Rest Ye Merry Gentlemen

Ebenezer Moog – B – Silent Night

The Legend of Hell House

I finally watched this fantastic 1973 horror a couple of days ago, and wanted to share some of my favourite shots with you. It was directed by John Hough, and stars former child actress Pamela Franklin as well as a nicely understated Roddy McDowell.  There’s a real sexual intensity to the film – highlights include the fondling of a statue (pictured below) and consensual sex with a manipulative ghost.

The film’s excellent score was created by Delia Derbyshire and Brian Hodgson, so if you haven’t seen it you could play a Radiophonic Workshop drone track of your choice while you look at the following images. Much to my disappointment, the soundtrack is commercially unavailable.

Must you leave your tapes lying around?

I’ve always loved early cassette packaging designs, and I just came across this beautiful set of old inlays from Flickr user Jubru, via an old post at Grainedit.com. Check it!

Here are four of my favourites:

They don’t design ‘em like they used to.

DJ fun at How Does It Feel live

Last Thursday I had the pleasure of spinning some of my treasured 45s in support of White Town and three other great acts, at How Does It Feel‘s live gig night at Brixton’s Jamm venue. A few people came up to me throughout the evening to ask what I was playing, so I thought I’d share a list of my choices with you. I particularly recommend the yodelsome Alice Babs tune if you haven’t heard her before.

Stereolab & Sonic Boom – Splitting The Atom Part Two (Duophonic)
Holger Czukay – Ode To Perfume (EMI)
Jonathan Richman & the Modern Lovers – Egyptian Reggae (Berserkley)
Duane Eddy – Gidget Goes Hawaiian (London)
Ennio Morricone – My Name Is Nobody (General Music France)
Los Diablos – Un Rayo De Sol (EMI/Odeon)
Helmut Zacharias – Teatime In Tokyo (Polydor)
Les Souls Men – Allons La Caze (Soredisc)
Digno Garcia Y Sus Carius – Brigitte Bardot (Palette)
France Gall – Baby Pop (Philips)
Alice Babs – After You’ve Gone (Fontana)
Can – I Want More (Virgin)
Yamasuki – AIEAOA (UK Records)
Denton and Cook – Tomorrow’s World (BBC Records & Tapes)

I had so much fun choosing how to follow each record. If you put on gigs or clubnights, why not book me to play more weird pop nonsense?

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